Storytelling: Its Uses and Abuses, Or the Revenge of the Lord of Misrule (In-person)

Storytelling: Its Uses and Abuses, Or the Revenge of the Lord of Misrule (In-person)

Summer (15 to 16.5 hrs) | Available (Membership Required)

One Court Street Lebanon, NH 03766 United States
Room 2C - 2nd Flr - Suite 210
7/9/2026-8/27/2026
1:00 PM-3:00 PM EDT on Th
$95.00

Storytelling: Its Uses and Abuses, Or the Revenge of the Lord of Misrule (In-person)

Summer (15 to 16.5 hrs) | Available (Membership Required)

In this series of lectures and discussions, we will explore the nature of storytelling in its myriad forms, its seemingly universal appeal, and its proper societal role. Starting in earliest childhood, we are told stories, have stories read to us, tell and read and watch stories. As J. Hillis Miller writes, "Nothing seems more natural and universal to human beings than telling stories."  

Using a wide variety of stories, both written and cinematic, from ancient to modern times, we will attempt to understand the impact, uses, and abuses of storytelling in human culture and society. We will explore story, first and foremost, as a "lived experience,” which can be best described as a form of play.

A few examples might be Richard Kennedy’s Come Again in the Spring, Martin Scorsese’s Life Lessons, Ovid’s Metamorphoses, Gabriel Garcia Marquez’ “Story of a Shipwreck Sailor,” and Rhiannon Giddens’ “Build A House.” Coincidentally, Rhiannon Giddens, “a singer, banjo virtuoso, and musical storyteller,” will perform at The Hop (Spaulding Auditorium) on Sunday, July 19, at 7:30 pm.

All stories will be within class, except for a few feature films, which participants might want to see on their own.


This course will combine lecture with class discussion.


  • There are no required books for this course.


Castro, Don
Don Castro

Don Castro has taught at various colleges and universities, most notably at the University of Notre Dame. Early in his career, he was a visiting scholar at Cambridge University, where he began his nearly life-long pursuit to understand what happens when we are told or shown stories of various kinds, be it around a campfire or in a darkened theater. Later in his career, on a more practical level, he attended UCLA, where he earned a certificate in its professional screenwriting program.