8 sessions, 10:30 AM - 12:30 PM
September 26 - November 14
Hanover Senior Center
Course Fee: $80
The Hudson River School of painting emerged in the mid-19th C. in the United States, and is seen, historically, as the first uniquely American style of art. Artistic style is at the service of content: the viewer’s emotional or intellectual experience of the subject of the artwork. In this course, we’ll look at the artistic roots of this aesthetic and the artists’ kinship with the American Transcendentalists of the period. We’ll study Thomas Cole, Frederick Edwin Church, Albert Bierstadt, John LaFarge, and, in later decades, the work of Winslow Homer, George Inness, Jr., William Henry Chandler, and Maxfield Parrish. Why is the work of these artists uniquely American (USA)? In what ways did they succeed (or fail) in creating Enlightenment/enlightenment through their artwork? What does this artistic movement tell us about the historical contexts of the period 1850-1950? Where do we see strands of their aesthetic in contemporary movements of art, philosophy, literature?