Intermediate Watercolor

Intermediate Watercolor

Class | Available (Membership Required)

37 Buena Vista Road West Hartford, CT 06107 United States
Clubhouse
Intermediate
1/6/2026-3/10/2026
6:00 PM-8:00 PM EDT on Tue
$200.00
$180.00

Intermediate Watercolor

Class | Available (Membership Required)

Watercolor Landscapes II


Week 1: Revisiting the Essentials

• Review materials, paper types, and brush control.

• Warm-up exercises exploring water-to-pigment ratios.

• Quick landscape sketches focusing on value structure.

• Class demo: Simple barn or field scene using wet-into-wet and drybrush.


Week 2: Composition & Planning

• Focus on thumbnail sketches and compositional design.

• Explore focal points, visual balance, and movement in landscapes.

• Demo: Coastal composition or seascape with strong horizon placement.

• Students create 2–3 small studies.


Week 3: Atmospheric Skies & Weather

• Demo: Expressive skies — dawn, storm, mist, dramatic sunsets.

• Focus: Layering washes for atmosphere, lifting for light, controlling soft vs. hard edges.

• Exercise: Quick sky studies, then integrate one into a simple landscape.


Week 4: Water Reflections & Movement

• Demo: Still water (reflections) vs. moving water (rivers, waves).

• Focus: Glazing for depth, broken brushstrokes for shimmer, wet-into-wet control.

• Exercise: Two small water studies — one calm, one active.


Week 5: Trees & Foliage Variations

• Demo: Beyond basics — conifers, late-autumn bare branches, dense summer foliage.

• Focus: Layering greens, negative painting for leaves, tonal variety.

• Exercise: A “tree portrait” study with emphasis on seasonal character.


Week 6: Architecture in the Landscape

• Demo: Incorporating barns, cottages, bridges, lighthouses.

• Focus: Simplifying perspective, balancing hard vs. organic edges, use of masking.

• Exercise: A sketch combining simple manmade forms with natural elements.?


Week 7: Seasonal Landscapes

• Demo: Snow scenes, autumn foliage, spring bloom palettes.

• Focus: Seasonal color choices, texture techniques for snow, leaves, blossoms.

• Exercise: Students paint the same composition in two different seasons.?


Week 8: Nocturnes & Limited Palettes

• Demo: Night skies, moonlight, dusk.

• Focus: Working with minimal palettes, creating luminosity with glazing.

• Exercise: Paint a landscape using only 3 colors (plus optional white gouache).?


Week 9: Mood & Abstraction

• Demo: Pushing landscapes toward mood and expressive abstraction.

• Focus: Color harmonies, expressive brushwork, simplifying forms.

• Exercise: Reinterpret a past subject in both a realistic and abstract way.


Week 10: Personal Project & Critique

• Focus: Students apply all techniques learned to design and complete a personal landscape painting.

• Activity: Final critique and discussion — focus on composition, technical growth, and individual voice.



    • There are 2 buildings at 37 Buena Vista. The Clubhouse is the white building beside the upper parking area.

    • PAINT

      Typically I recommend Holbein, Daniel Smith, or Windsor Newton for watercolor paint brands. Colors I will be using throughout the class are:
      Cobalt Blue
      French Ultramarine Blue
      Cobalt Turquoise
      Viridian Green
      Permanent Alizarin Crimson
      Lavender
      Burnt Umber
      Raw Umber
      Burnt Sienna
      Yellow Ochre
      Cadmium Yellow
      Cadmium Red
      Neutral Tint
      Titanium White

      PAPER

      The most important aspect of this technique is using a rough or cold pressed watercolor paper. Arches, Saunders Waterford, or Windsor Newton are good papers, Arches watercolor blocks work as well. 11X14 or 12x16 are good sizes to be working with.

      BRUSHES

      Mop brush, size 14 or 18  (for washes and skies)

      Squirrel mop brush, size 0 or 2 (for trees and texture)

      Synthetic watercolor brush size 8, 10, and 12

      Other supplies

      Pencil, sketchbook, atomizer (small spray bottle), water cup, masking tape, dish sponge, white paper towels, and something to mount your watercolor paper to if you are not using a watercolor block. Corrugated plastic, or a hard board works fine for this. 

    Douglas Fortin