Intuitive Approaches to Watercolor
Workshops | This program has been canceled
Fabio Cembranelli will guide artists in developing loose and intuitive watercolor techniques, enhancing their own personal approach.
Workshop Topics will include:
• wet on wet techniques using transparent pigments only
• watercolor painting on damp paper
• how to take advantage of unexpected things that may happen during the painting process
• the importance of the white of the paper in watercolor: how to save or restore it
• fundamentals of composition: how to create a powerful focal point
• how to capture the beauty and freshness of flowers
• how to depict the beauty of nature in your artwork
• light and shadow&
- We'll take a 1 hour lunch break mid-day.
Beginners must have some experience with watercolor.
Due to the instructor's travel arrangements, if minimum registration has not been met by Monday 1/31, the workshop will be cancelled.
Once minimum registration has been met, no requests for transfer or cancellation will be accepted.
Paints (Tubes)
• Aureolin (W&N)
• New Gamboge (Daniel Smith)
• Indian Yellow (Daniel Smith)
• Quinacridone Gold (W&N)
• Translucent Orange (Schmincke)
• Transparent Pyrol Orange (Daniel Smith)
• Quinacridone Burnt Orange (Daniel Smith)
• Burnt Sienna (W&N)
• Burnt Umber (W&N)
• Rose Madder (Schmincke)
• Opera (Sennelier)
• Rose Dore (W&N)
• Pyrrole Rubin (Holbein)
• Permanent Alizarin Crimson (W&N)
• Quinacridone Magenta (W&N)
• Green Gold (Daniel Smith)
• Sap Green (W&N)
• Undersea Green (Daniel Smith)
• Viridian Green (W&N)
• Manganese Blue Hue (Daniel Smith)
• Cobalt Blue (W&N)
• French Ultramarine (W&N)
• Ultramarine Violet (Schmincke)
• Shadow Violet (Daniel Smith)
Brushes: Synthetic Brushes only (Escoda, DaVinci, Winsor&Newton, Raphael, Princeton, etc.)
• Flat: 1/2”, 3/4” and 1”. Round: number 10, 16 and rigger number 6.
Drawing: Graphitone, Derwent 2b
Paper: Baohong, Arches, Fabriano, Cezanne, etc: Cold Pressed, 140 lb.
Fabio Cembranelli
Fábio Cembranelli, a renowned Brazilian artist, started painting at university, where he studied architecture. His paintings have been featured in exhibitions and collections worldwide and his unique and luminous floral watercolors are known internationally. Explaining why he has chosen transparent watercolour as his favorite medium, he says, "What compels me to paint with this approach is the possibility of painting quickly. It suits my personality best -- the fluidity of the medium provides a unique sensation of unexpected colour mixing, particularly when I define only the main masses and allow the unpredictable to happen on the rest of the paper. Timing is quite important in my method. I lean intuitively toward realism, but the right speed forces me to create diffused effects and shapes. I love painting flowers and landscapes in watercolour and I'm always enchanted by the attempt to capture the contrast between loose and definitive edges, as well as light and shadow effects.” When he paints he aims to take the essential of each subject through his own interpretation. It`s like a personal subject depiction that will result in an unique work. Fábio teaches painting techniques in his studio, in art galleries and and art societies as well as in person and online workshops throughout Brazil and abroad. He also is a regular contributor to several art magazines in South America, US, UK, Norway, France, Japan and Australia, for example. You can visit www.fabiocembranelli.com for more information about his work.