Simplifying a Complicated Landscape in Soft Pastels

Simplifying a Complicated Landscape in Soft Pastels

Class | This program has been canceled

94 Stafford Ave. Manahawkin, NJ 08050 United States

TBD

All Levels

5/4/2024-5/5/2024

9:00 AM-3:00 PM EDT on Sun Sat

$130.00

Member Discount Available

Learn how to tackle a complicated landscape during this workshop. We will discuss and practice how to break down your photo reference into a manageable composition. We will also discuss how to do this while painting en plein air. Explore a variety of painting techniques that will breathe life into your paintings. Students will work from their own favorite photographs or follow along with the instructor. All levels welcome. 

  • Painting Materials
    • Pencil and eraser.
    • Selection of soft pastels (See softness chart below). I use a variety of hard (NuPastel) and soft
    (Terry Ludwig and Unison are my personal brand preference). There are many brands to choose
    from and most brands are ok, I can help you use what you have. Rembrandts are a nice
    beginner pastel brand. They are affordable, have a wide variety of color and are softer than
    what is available in local craft stores. (No oil pastels)
    Paper
    • I highly recommend working on a sanded paper/board. There are a variety of colors usually
    available with each brand. The color is up to you. Color of surface will be addressed during
    lessons. Paper brands to explore are:
    o Ampersand Board
    o Art Spectrum Colourfix
    o Art Spectrum Smooth
    o La Carte – however, this brand is not suited for wet underpaintings
    o PastelMat
    o Pastel Premier
    o Uart (my personal “go-to” brand)
    • Regular drawing / multi-media paper does not have the proper tooth to hold the pastel. Painting
    on it can become frustrating and will not allow you to layer colors.
    Equipment
    • Large drawing board (Gatorboard or sturdy foam core will do)
    • Easel. Table top is ok, however, I work standing and highly recommend students stand as well
    (unless, of course, you are not physically able to stand for long periods of time). You must be
    able to prop your board upright. Working flat causes a variety of messes from clothing to
    “making mud” on your painting.
    Miscellaneous
    • Artists Tape or clips. Needed to attach your paper to the drawing board.
    • Wet wipes. I prefer Huggies. Please do not use household cleaning wipes such as Clorox wipes.
    These are harsh on your skin.

    • Plastic gloves or a barrier cream such as Gloves in a Bottle
    • Notebook / drawing pad for notes
    • Stiff bristle paint brush
    • ** For Wave classes: workable spray fix, rubbing alcohol, tooth brush and plastic cup
    • Some photographs you would like to use from your own stock.


    * Please note: Unfortunately, the pastel products I recommend are not readily available in the
    local craft stores (Michael’s,Hobby Lobby). While these stores have pastel products,
    the papers do not have proper tooth and the pastels are very hard and will limit what you can
    achieve. Most everything I use is purchased on-line. The sites I use and compare prices
    between are:
    Amazon
    Dick Blick
    Cheap Joe’s
    Jerry’s Artarama
    Fineartstore.com
    DakotaPastels.com
    Chart of Pastels by Softness / Brand
    The following chart was created by Dakota Pastels with number one being rated the Softest.
    #1 SCHMINCKE
    #2 GREAT AMERICAN
    #3 BLUE EARTH
    #4 SENNELIER
    #5 UNISON
    #6 TERRY LUDWIG
    #7 DIANE TOWNSEND SOFT
    #8 TOWNSEND TERRAGES
    #9 TOWNSEND THINLINE
    #10 DALER-ROWNEY
    #11 GIRAULT
    #12 MOUNT VISION
    #13 REMBRANDT
    #14 ART SPECTRUM
    #15 HOLBEIN
    #16 NUPASTEL
    #17 FABER-CASTELL
    #18 CRETACOLOR
Leopardi, Renee

Renee Leopardi, Pastel Painter HomeAboutLandscape & StructurePortraits, Figures & AnimalsUpcoming Events & Workshops Picture Renee was born and raised in Cincinnati, Ohio and after 12 years of Catholic school, she decided to immediately join the work force. Within a year after high school, she decided it would be best to continue her education and worked her way through night school to achieve an Associate’s Degree in Liberal Arts from the University of Cincinnati. During those years, she met many wonderful people, one of which is her husband, who grew up in southern New Jersey. In 2002, she relocated to New Jersey to start a family and has never looked back. From early childhood, Renee has always been interested in art. However, art was never pushed or nurtured as a possible career path, so art became hobby for years. In 2008, she took an Advanced Painting workshop at Studio Incamminati in Philadelphia. From then on, she knew her focus had to change. Since that first workshop, she has continued to further her art education through workshops and independent study including Life Drawing and plein air painting sessions with fellow local artists. Her newest works are primarily pastel paintings. Through her studies, she realized that painting with pastels has pushed her to explore and create more than she thought she could. Working with pastels can be quick and expressive in a way she wasn’t finding before. Working with pastels has also altered her overall painting style by giving it a turn toward impressionism. She finds inspiration in the local seasonal landscapes of southern New Jersey; from the ocean and marshes to creeks and woods to farmland. When the weather isn’t so friendly, she and her painting friends move indoors to work on still life or the figure. Workshops / Portfolio Programs Attended: Showcase the Color of Light, Sally Strand, IAPS, June 2019 The Painterly Portrait, Alain Picard, Crow Creek School of Art, November 2017 The Poe